Maverick maestro Mrinal Sen may have accidentally forayed into film-making but he had a clear vision: to create a modern cinematic style fashioned in the language of protest. His films leave a rich legacy as the nation’s conscience keeper. In his career spanning more than six decades, the much feted and controversial film-maker had only one commercial hit which paradoxically ushered in the Indian New Wave Cinema.\n\n\nAt Home with Mrinal Sen is an up-close and personal account of the rebel, the genius through the eyes of his close friend and confidant. It showcases the auteur’s never-published-before interview in which the pioneer of Indian cinema reflects back on his art; his cinematic, literary and political influences; his first and only ‘act of violence’; his inadvertent encounter with law; his first brush with romance; his close friendship with the Paradise Café gang comprising Ritwik Ghatak, Salil Choudhury, Kali Banerjee and Tapas Sen; his equation with his contemporaries especially his infamous duel with Satyajit Ray; his identity as the ‘outsider’; and last but not the least, his first love Calcutta.
Dipankar Mukhopadhyay (b. 1950) is an alumnus of Presidency College, Calcutta. He joined the Indian Information Service and served in various media units of the central government. He was deputy director in the Directorate of Film Festivals and looked after the promotion of Indian cinema abroad. He also had a five-year stint as the managing director of the National Film Development Corporation (NFDC).
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