Academics
A lyrical excavation of trauma and healing in the midst of early motherhood - the debut work of an endlessly inventive poet whose work 'fizzes with energy, physicality, and the levitating openness of song' (Rebecca Tamás) Shortlisted for the John Pollard Foundation International Poetry Prize Selected as a book of the year by the Financial Times and Telegraph Amy Acre's debut collection is an unforgettable, unflinching excavation of motherhood, what it means to be a female artist, and what it means to be a poet with a deeply integrated community. This is a timeless work the like of which we haven't seen enough of in the past, primed to last long into the future.
Amy Acre is a poet and freelance writer from London, and the editor of Bad Betty Press. Her pamphlets And They Are Covered in Gold Light and Where We're Going, We Don't Need Roads were each chosen as a Poetry Book Society Pamphlet Choice. Her poem 'every girl knows' won the 2019 Verve Poetry Competition. She featured on The Last Dinosaur's 2020 track, 'In The Belly of a Whale', streamed over 600,000 times on Spotify. In 2021, she wrote and recorded Radio 4's The Ballad of the Bet - a BBC Pick of the Week. Her work has appeared in 3:AM Magazine, bath magg, DIVA, PERVERSE, Poetry London, The Poetry Review, Poetry Wales, The Rialto, The Scores, The White Review and elsewhere. Mothersong is her first collection.
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