The history of art in the Indian subcontinent, indeed, is highly rich in its content, aesthetical value, and ornated in nature. The study of art is one of the most popular themes developed in the scholastic world in the twentieth century. But how the nature of art is studied is something unique in its approach. Coomaraswamy writes in this volume which covers the study of art and how its reconstruction was assessed in Indian contexts. Beginning with the history of art in the theoretical sense, it covers the art forms practiced in Asia such as Hindu, Buddhist, Chinese, Islamic, and others forms in the initial part of the volume. Interestingly, he also discusses the famous medieval German Catholic theologian Meister Eckhart (c.1328) in terms of art in a theoretical sense. This volume covers the perspective of Indian arts, the concept of paroksha, which is an important term applied in Buddhism, and abhasa, or appearance, which is used in Hindu philosophy. The author also compares the Indian concepts of art with Western philosophy and thought, which is the most interesting part. The concluding part of this book covers the origins and usage of images in Indian art. About the Author Ananda K. Coomaraswamy (22 August 1877–9 September 1947) is a Ceylon-based metaphysician, historian, theorist, and philosopher of Indian art. He brought the Indian tradition of art into the western world. He was also seen as the bridge-maker between western and Indian art and phil­osophy, as he was much inspired by Hindu and Greco-Roman trad­itions. His works were influenced by the Traditionalist and Perennial Schools of Philosophy. He authored several books which were based on the traditional arts, metaphysics, and social criticism. He was also the curator?of?Indian?art?at?the?Boston?Museum?of?Fine?Arts.