In 1871, the British enacted the Criminal Tribes Act in India, branding numerous tribes and caste groups as criminals. In This Land We Call Home, Nusrat F. Jafri traces the roots of her nomadic forebears, who belonged to one such ‘criminal’ tribe, the Bhantus from Rajasthan, through the lens of caste and religious conversions over the last century.\n\nThis affecting memoir explores religious and multicultural identities and delves into the profound concepts of nation-building and belonging. Nusrat’s family’s conversion to Christianity as a response to Brahmanical gatekeeping highlights their struggle for acceptance.\n\nThe family found acceptance in the church, alongside a sense of community, theology, songs and carnivals, and quality education for the children in missionary schools. Parallelly, we see the family’s experiences during Gandhi’s return in 1915, the Partition, the two World Wars, the Emergency and the prime ministers’ assassinations.\n\nIn a way, this is a story like and unlike the stories all of us carry within us; the inherited weight of who we are and where we come from, our tiny little freedoms and our everyday struggles and, mostly, the intricate jumble of our collective ancestry. Nusrat pays homages to her foremothers, the first feminists, and her forefathers, the ones who tried hard to fit into a caste society only to be spat out, and eventually chose alternative faiths in pursuit of acceptance.
Nusrat F Jafri, is a Mumbai based award-winning cinematographer. She has over fifteen years of experience in filmmaking. Born and brought up in Lucknow, she moved to New Delhi for graduation and post-graduation in Mass Communication. Her professional journey includes stints as a journalist with The Pioneer and CNBC Awaaz. <br><br> Nusrat is a mentee of the first cohort (2021) of South Asia Speaks. She was featured in the second edition of Rising Beyond The Ceiling: 100 stereotype-shattering stories of Muslim women of Uttar Pradesh, India. <br><br> She lives in Mumbai with her husband, son and a cat named Jamia.
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